Morgan Finney, a biotechnology tycoon, is a shy, highly intelligent but socially awkward and emotionally fragile man. It was his wife, Jenny, with whom he connected and who enabled him to connect with others. When Jenny dies of complications during a surgery led by Dr. Rita Wu, Finney's grief turns to rage. He vows to kill Rita just as he believes she killed his wife. But first he will systematically destroy her life. Aided by a mysterious man named Sebastian, Finney uses advanced medical technology to brainwash Rita. He tricks her into ruining her reputation and brings her to the brink of madness. Alone, fighting for her sanity and life, Rita reaches out to ex-lover Dr. Spencer Cameron. Together they uncover Finney's horrific intentions and race to stop him.
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. My poor boy, he was too good for this earth, the president says at the time. God has called him home. Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy's body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state called, in the Tibetan tradition, the bard-a monumental struggle erupts over young Willie's soul.
Between the urban bustle of Denver and the high-stress environment of a career in neurosurgery, Maggie Sullivan has hit a wall. When an emergency high-risk procedure results in the death of a teenager, Maggie finds herself in the middle of a lawsuit and experiencing levels of anxiety she's never faced before. She knows she needs to slow down before she burns out completely, and the best place she can think to do that is Sullivan's Crossing. Named for Maggie's great-grandfather, the land and charming general store at the crossroads of the Colorado and the Continental Divide Trails have been passed down through the generations and now belong to Maggie's eccentric father, Sully. When she shows up unannounced, he welcomes her with open arms, and she relishes the opportunity to indulge in his simple way of life. But shortly after arriving, Maggie's world is rocked once again and she must take on more responsibility than she'd planned. Though she's relieved a quiet and serious-looking hiker, Cal Jones, is willing to lend a hand, Maggie is suspicious of this mysterious man's eagerness to help until she finds out the true reason for his deliberate isolation. Though Cal and Maggie each struggle with loss and loneliness, the time they spend together gives Maggie hope for something brighter just on the horizon if only they can learn to find peace and healing and perhaps love with each other.
Eight years ago, Sharlah May Nash's older brother beat their drunken father to death with a baseball bat in order to save both of their lives. Now thirteen years old, Sharlah has finally moved on. About to be adopted by retired FBI profiler Pierce Quincy and his partner, Rainie Conner, Sharlah loves one thing best about her new family: They are all experts on monsters... The call comes in. A double murder at a local gas station, followed by reports of an armed suspect shooting his way through the wilds of Oregon. As Quincy and Rainie race to assist, they are forced to confront mounting evidence: The shooter may very well be Sharlah's older brother, Telly Ray Nash, and it appears his killing spree has only just begun. As the clock winds down on a massive hunt for Telly, Quincy and Rainie must answer two critical questions: Why after eight years has this young man started killing again? And what does this mean for Sharlah? Once upon a time, Sharlah's big brother saved her life. Is her brother a hero or a killer? And how much will it cost her new family before they learn the truth?
It is the spring of 1939, and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows ever closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships facing Jews in their hometown of Radom, Poland. Soon the horrors overtaking Europe will become inescapable and the Kurc family will be flung to the far corners of the earth, each desperately trying to chart his or her own path toward safety. As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death by working endless hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an extraordinary will to survive and by the fear that they may never see each other again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere. In a novel of breathtaking sweep and scope that spans five continents and six years. It transports readers from the jazz clubs of Paris to the beaches of Rio de Janeiro to Krakow's most brutal prison and the farthest reaches of the Siberian gulag. We Were the Lucky Ones is a tribute to the capacity of the human spirit to endure in the face of the twentieth century's darkest moment.
At nearly one hundred years old, Thalia Mars is a far cry from the patients that child psychologist Alex Delaware normally treats. But the charming, witty woman convinces Alex to meet with her in a suite at the Aventura, a luxury hotel with a checkered history. What Thalia wants from Alex are answers to unsettling questions--about guilt, patterns of criminal behavior, victim selection. When Alex asks the reason for her morbid fascination, Thalia promises to tell all during their next session. When he shows up the following morning, he is met with silence: Thalia is dead in her room. When questions arise about how Thalia perished, Alex and homicide detective Milo Sturgis must peel back the layers of a fascinating but elusive woman's life and embark on one of the most baffling investigations either of them has ever experienced. Thalia Mars is a victim like no other, an enigma who harbored nearly a century of secrets and whose life and death draw those around her into a vortex of violence.
When Rosie and Penn and their four boys welcome the newest member of their family, no one is surprised it's another baby boy. At least their large, loving, chaotic family knows what to expect. But Claude is not like his brothers. One day he puts on a dress and refuses to take it off. He wants to bring a purse to kindergarten. He wants hair long enough to sit on. When he grows up, Claude says, he wants to be a girl. Rosie and Penn aren't panicked at first. Kids go through phases, after all, and make-believe is fun. But soon the entire family is keeping Claude's secret. Until one day it explodes. Change is always hard and miraculous and hard again; parenting is always a leap into the unknown with crossed fingers and full hearts; children grow but not always according to plan. And families with secrets don't get to keep them forever.
As the shadows of the Empire loom ever larger across the galaxy, so do deeply troubling rumors. The Rebellion has learned of a sinister Imperial plot to bring entire worlds to their knees. Deep in Empire-dominated space, a machine of unimaginable destructive power is nearing completion. A weapon too terrifying to contemplate . . . and a threat that may be too great to overcome. If the worlds at the Empire's mercy stand any chance, it lies with an unlikely band of allies: Jyn Erso, a resourceful young woman seeking vengeance; Cassian Andor, a war-weary rebel commander; Bodhi Rook, a defector from the Empire's military; Chirrut ÃƒÅ½mwe, a blind holy man and his crack-shot companion, Baze Malbus; and K-2SO, a deadly Imperial droid turned against its former masters. In their hands rests the new hope that could turn the tide toward a crucial Rebellion victor if only they can capture the plans to the Empire's new weapon. But even as they race toward their dangerous goal, the specter of their ultimate enemy monstrous world unto itself darkens the skies. Waiting to herald the Empire's brutal reign with a burst of annihilation worthy of its dreaded name: Death Star.
As England becomes enmeshed in the early days of World War II and the men are away fighting, the women of Chilbury village forge an uncommon bond. They defy the Vicar's stuffy edict to close the choir and instead carry on singing, resurrecting themselves as the Chilbury Ladies' Choir. We come to know the home-front struggles of five unforgettable choir members: a timid widow devastated when her only son goes to fight; the older daughter of a local scion drawn to a mysterious artist; her younger sister pining over an impossible crush; a Jewish refugee from Czechoslovakia hiding a family secret; and a conniving midwife plotting to outrun her seedy past.
At thirty-two, Faith Frankel returns to her claustro-suburban hometown, where she writes institutional thank-you notes for her alma mater. It's a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiance is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state. And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence. On Turpentine Lane is funny, poignant, and a little bit outrageous.
Returning home to care for her aging father twelve years after her mother's disappearance, Flora discovers that before she went missing, her mother wrote letters to her father about their marriage and hid them among his thousands of books.
A space adventure set on a lone ship where the clones of a murdered crew must find their murderer -- before they kill again. It was not common to awaken in a cloning vat streaked with drying blood. At least, Maria Arena had never experienced it. She had no memory of how she died. That was also new; before, when she had awakened as a new clone, her first memory was of how she died. Maria's vat was in the front of six vats, each one holding the clone of a crew member of the starship Dormire, each clone waiting for its previous incarnation to die so it could awaken. And Maria wasn't the only one to die recently
Esther Larsen, a leading risk analyst at one of the country's largest banking institutions, is becoming more and more convinced that she has uncovered a ticking bomb with the potential to overshadow 2008's market crash. And as her own employer pursues "investment" strategies with ever-increasing levels of risk, she becomes convinced she must do something. Yet what can one person really do? The markets are edging closer to a tipping point--like the teetering first domino in a standing row that circles the globe. And when Esther does sound the alarm, she wonders if anyone will take her seriously. But as public support grows for her ideas, so does the desperation of those whose conspiracy of greed she seeks to expose. With global markets on the brink, and her own life in danger, Esther is locked in a race with the clock to avert a worldwide financial meltdown. This fast-paced suspense novel will make you wonder where the fiction ends and reality begins
Territorial marshals Virgil Cole and Everett Hitch figured things had finally settled down in Appaloosa when Boston Bill Black's murder charge was dropped. All that changed when Augustus Noble Driggs was transferred to a stateside penitentiary just across the border from Mexico. Square-jawed, handsome, and built like a muscled thoroughbred stallion, Driggs manages to intimidate everyone inside the prison walls, including the upstart young warden. In a haunting twist of fate, Driggs and a pack of cold-blooded convicts are suddenly on the loose and it's up to any and all territorial lawmen, including Cole and Hitch, to capture the fugitives and rescue the woman kidnapped during their escape. Nothing is ever quite what it seems with the ever-elusive Driggs. Finally free, he's quickly on his own furious hunt for a hidden cache of gold and jewels--and for the men who betrayed him and left him for dead. With an unlikely and unconventional Yankee detective by their side, Cole and Hitch set off on a massive manhunt. As horses' hooves thunder and guns echo deadening reports, Driggs discovers one of the lawmen on his trail is none other than a fellow West Point graduate he'd just as soon see dead. Ruthless and willing to leave a bloody path of destruction in his wake, Driggs seeks vengeance at any cost.
A year after losing her husband, Joker, the squadron commander of the Wild Aces, Dani Peterson gets an offer from his best friend, Alex 'Easy' Rogers, to help fix up her house. Dani accepts, and their friendship grows-- along with an undeniable attraction. Racked by guilt for loving his best friend's widow, Easy's caught between what he wants and can't have. Until one night everything changes, and the woman who's always had his heart ends up in his arms. Yet as Easy leaves for his next deployment, he and Dani are torn between their feelings and their loyalty to Joker's memory. But when Dani discovers something that sends them both into a spin, the conflicted lovers must overcome the past to navigate a future together.
With her parent's marriage declared bigamous, Camille Westcott is now illegitimate and without a title. Looking to eschew the trappings of her old life, she leaves London to teach at the Bath orphanage where her newly discovered half-sister lived. As she settles in, she must sit for a portrait commissioned by her grandmother and endure an artist who riles her every nerve. An art teacher at the orphanage that was once his home, Joel Cunningham has been hired to paint the portrait of the haughty new teacher. As Camille poses for Joel, their mutual contempt soon turns to desire. And it is only the bond between them that will allow them to weather the rough storm that lies ahead.
The heart is impulsive. The heart makes bad decisions. Diana and Adam have issues, but she wants him back. He took her to the isolated cabin; he became The Dominant Master; she submitted to him. But now they're back in the city-- and things are going to change. The heart may have decided to get Adam back, but the heart's going to be the one to break.
Shares the story of the author's family and upbringing, describing how they moved from poverty to an upwardly mobile clan that included the author, a Yale Law School graduate, while navigating the demands of middle class life and the collective demons of the past.
January 1961: President Eisenhower has three days to secure the nation's future before his young successor, John F. Kennedy, takes power — a final mission by the legendary leader who planned D-Day and guided America through the darkening Cold War.
When Carrie Fisher recently discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved plaintive love poems, unbridled musings with youthful naive, and a vulnerability that she barely recognized. Today, her fame as an author, actress, and pop-culture icon is indisputable, but in 1977, Carrie Fisher was just a (sort-of) regular teenager. With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of all time and what developed behind the scenes. And today, as she reprises her most iconic role for the latest Star Wars trilogy, Fisher also ponders the joys and insanity of celebrity, and the absurdity of a life spawned by Hollywood royalty, only to be surpassed by her own outer-space royalty. Laugh-out-loud hilarious and endlessly quotable, The Princess Diarist brims with the candor and introspection of a diary while offering shrewd insight into the type of stardom that few will ever experience.
The Ionia Community Library is housed in the Hall-Fowler House, a beautiful mid-nineteenth century building in downtown Ionia.
Frederick Hall, a Vermont-born businessman and banker, settled in Ionia in 1841 when he was twenty-five years old. Primarily engaged in buying and selling pine lands, he was also a public official. In 1845, President James K. Polk appointed Hall a receiver of public money for the land office in Ionia. Four years later, he won election to the state legislature, and in 1873, when Ionia was incorporated as a city, he became its first mayor.
Befitting his family's affluence, Hall hired Captain Lucius Mills to build a square two-story mansion in 1869-1870. Fredrick, his wife Ann, and their daughter Marion moved into the home and it soon became a center of politics and entertaining.
The Hall-Fowler home is one of the best examples of Italianate architecture in Western Michigan. Constructed of local variegated ashlar sandstone, the building's facade displays a great double-panel oak door emphasized by an elaborate front porch, a double arched window, a trefoil-like attic window, a central gable, and an ornate octagonal central cupola. Intricately carved wooden brackets, both paired and single, support the main eaves, while single brackets grace the cupola, porch, and sunroom eaves. Tudor-style semicircular hoods with keystones and end stones set off the elongated windows.
In 1903, Marion Hall-Fowler (1849-1931) deeded the house to the city of Ionia, stipulating that it be "forever used for library purposes" and "known as the Hall-Fowler Memorial Library." The Hall-Fowler House was granted recognition as a Michigan Historic Site in 1992.
Reorganized as the Ionia Community Library in 2003, the Hall-Fowler House continues to provide a venue for education, enlightenment, and personal growth for residents of Ionia County. Library tours are available for groups and individuals by appointment.
Discover more about the Hall-Fowler House as well as the historic structures and landmarks in Ionia by visiting the following websites:
List of Registered Historic Places in Ionia County, MI
Ionia Historic District
|Monday ~ Thursday||Friday||Saturday||Sunday||Holidays|
|10AM ~ 8PM||10AM ~ 6PM||10AM ~ 2PM||Closed||Closed|
|City of Ionia Appointees||Ionia Public Schools Appointees||Easton Township Appointees|
|Janet Powell (Treasurer)||Jon Caswell (Vice President)||Kathleen Cook (Secretary)|
|Patricia Eppler||Susan Manciu||Gale Yeomans (President)|
All Members of the Board of Trustees can be reached by contacting the Ionia Community Library. Email: firstname.lastname@example.org
|No December meeting.||
The Ionia Community Library Board of Trustees Meetings are at 6PM in the Administrative Offices on the second floor of the library.
Everyone is welcome to use the library's collection in the building. A library card is required to check out library materials. Residents of the City of Ionia and the following townships qualify for regular library cards: Berlin, Easton, Ionia, North Plains, Orange, Orleans, and Ronald. All or portions of these municipalities are within the library district.
Registering for a library card requires either a valid Michigan Driver's License or Michigan Identification Card with your current street address. Minors under the age of 18 are required to have a parent or guardian present identification and co-sign for their library card. There is no charge for the first library card.
As a member of the Lakeland Library Cooperative (LLC), the Ionia Community Library honors cards issued by our member libraries. Ionia County residents who do not live in LLC service areas are entitled to a free nonresident card. The library also offers varying levels of fee-based services for nonresidents.
Library cardholders or co-signers are responsible for all materials checked out to that card and for paying fines and/or replacement costs when accrued. Please notify the library if your card is lost or has been stolen.
New Ionia Community Library patrons are limited to five items checked out at a time for the first three months.